Back in the saddle again.

My Fleur de lis

The symbol of France and French royalty.

The symbol of New Orleans, Lousiana and Florence, Alabama.

The Holy Trinity.

The brand of prisoners.

Maybe courtesans too?

A Lily.

A Iris.

I am a French woman, strong and proud as a queen.

I love New Orleans, and God too.

I’m a little bad.

I’m a little good.

That’s what my Fleur de lis tattoo means to me.

odAomo is the creative-outlet-turned-design-brand of Dr. Sophia Aomo Omoro. Born in Kenya, Dr, Aomo came to North America to finish her education to become a ear,nose and throat surgeon and settled in New Orleans. Her designs are brought to fruition by 6 women in Kenya, and fabric is sourced from independent Kenyan textile distributors. All being paid a living wage. You can read more about this remarkable company on their website odaomo.com The above skirt and pants are from her store in New Orleans.

Mignon Faget is (in my opinion) THE quintessential New Orleans jeweler. As you can tell she is inspired by what she sees everyday, and everything that represents New Orleans and Louisiana. See and read about all her collections at mignonfaget.com

A little shot of Mardi Gras.

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The warm sun on my face,

the perfect antidote to the cool breeze across my body.

Walking three miles for my morning coffee.

J G BRYANT

In delightful anticipation of future projects that combine different compositions of textile.

Current state of affairs. Books, journal, sampling, and work in progress

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A shoulder to lean on,

a hand to hold.

I don’t need them.

I will cry my own self to sleep,

and in the morning, be fine.

“Call if you need help.”

I won’t.

You’ll just have to show up.

– J G BRYANT

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” I hope one day, I’ll look back and think, yes… I made my life a living art.”

-Audrey Leighton Rogers

Fashion is instant language

“What you wear is how you present yourself to the world, especially today, when human contacts are so quick. Fashion is instant language.” samman_prajapati

The chainmaille shrug is finished!

More chainmaille inspiration. For a future project? [wink, wink]

I ordered these TiroTiro earrings in early November because her lead time on made to order was up to 3 weeks. On December 19th I still hadn’t received them, so I sent her an email kindly asking of their status. It turns out weeks ago they were marked already shipped, and on top of that one of the styles had been recently discontinued. She offered to refund my money on that one pair or replace it with another style (any cost discrepancy would be on her). I picked a replacement pair, and since I had really wanted to wear them to a big family Christmas party on December 22, she overnight FedExed them! I’m still in awe at her customer service and eternally grateful for all she did for me.

Still experimenting with non-traditional materials, and newly influenced by this company I was recently told about, Tonle.

I borrowed my rigid heddle loom back and started weaving with denim strips cut from discarded jeans. I’m thinking about making a kimono style jacket with the material. We received new pillows for Christmas, so I started spinning the stuffing from our old ones to use as warp on another weaving project. Polyester pillow stuffing warp and VHS tape weft.

I leave you with photos from Tonle’s website where they used mountains of textile factory waste as a backdrop.

“Because every day is an event!”

Daphne Guinness has said, “I don’t do event dressing, because every day is an event.” I couldn’t agree more. Recently at a knitting group a woman asked me if I had a use for old cashmere sweaters. I told her about a project that is far, FAR down the line: a floor length dress with long, tightly fitted sleeves and a scoop neck made from cashmere scraps all dyed black. Another woman asked if I would wear something like that to work. I told her, “absolutely! That’s where I am the most!” I may use an event as an excuse to create something new, but my “event clothes” are no different from my “everyday clothes”.

I’ve been completely captivated by Alexander McQueen’s work recently. Gaining more ideas regarding the use of non-traditional material.

This blog post is going to jump around a lot because that’s how my mind works as well.

In a happy accident while working on my rubber vest I noticed some stress cracks (material is recycled tractor inner tube rubber). I immediately thought, “oh, I will cut another piece,” but I remembered during some research coming across the Japanese concept of Kintsugi or Kintsukuroi and decided it was going to be more beautiful because of its imperfections.

I will make a repair that becomes elemental to the overall aesthetics.

Wrestling and taming this creation.

A solution to a dilemma. I really wanted to make leather clothing tags. That was fine on a leather garment because it wasn’t going to be machine washed anyways but how bout on everything else? These are embroidered on bicycle inner tube rubber! Which granted rubber is not a big fan of getting wet either but, at least it won’t shrink or stiffen and I can treat them with a rubber or leather conditioner once in a while.

Me and Lee McQueen.

Last spring during my Boston trip there was one notable store my companion and I didn’t get to visit due to it opening so late. For Christmas this same person had gone back and bought me a tank from Paridaez the very store I never got to go to. Paridaez is a small clothing company completely (from origin, to manufacturing) based out of Massachusetts. I am extremely touched by her thoughtfulness. The tank has been a great base for almost every outfit.

Inspiration for future projects. Pieced denim dress worn by the fabulous Japanese American metal artist Yuri Tsuzuki. Fringed pieces by Any Old Iron. Body suits by Cadolle.

So much is happening all at once I didn’t want to cram it all into one post. Till next time…

The past, present and future

Fun outfit! The “teddy” is made up of upcycled black denim from donated pants and a vest. The jacket is double layer flannel from a bed sheet bought at a yard sale for a dollar. I dyed it black. Trim is left over from that other dress, and the buckle salvaged from an old sweater. I made this outfit to wear to the Common Ground Country Fair and I literally finished it on the car ride there!

A skirt and dress that I bought at the fair. Made by my friend Rose, under her label Dippermouth. She does the screen printing, the design and making of each piece. She is still working on a website. I got a sneak peak the other day, and it is truly magnificent!

Really into this color combination at present. I was playing around with some gifted fabric, getting ready for another project, perhaps another dress. Also really into dresses and skirts right now…again.

I bought this gray satin at a salvage store: Marden’s, for $3 a yard! It’s gorgeous and has a nice heaviness. I am definitely making another slip dress with this, floor length. Complete with French seams and a blind hem. Maybe in time for Christmas.

I practiced hemming on my new Dippermouth dress. Not too shabby!

Now back to work!

Celebrating my fellow makers

When you find your passion you start to attract like-minded individuals.

Like friend and coworker Amanda. Here is a sample of her sweet tops.

My friend Rose in her wedding dress! She is Dippermouth sewing and textiles. I got a sneak peak at the collection she is working on for the Common Ground Country Fair held in Unity, Maine on the third weekend in September. Stunning! I need to start preparing to bring some money!

Kate Beck of Kate Beck New Orleans Textile and Design. katebeckneworleans.com

A random stranger at the Farmers market! Her beautiful handmade blouse.

Keep on making everyone!

An afternoon at the beach

Pemaquid beach, Maine

Swimsuit by Aniela Parys

A new dress.

Made of repurposed fabric. The process.

Detail of the various seams. Really neat. The secret? Ironing, ironing and more ironing.

Before and after.

Finished leather “corset”